George Nakashima 'Plank Stool' in American Black Walnut
George Nakashima for Nakashima Studio, 'Plank Stool' / side table, American black walnut, United States, 1977
Known as the "Plank Stool," this design by George Nakashima works just as well as a place to sit as it does a spot to set things down. The top slab has a natural flow to it, which is typical of Nakashima’s work. He cared more about the grain and feel of the wood than about making everything perfectly symmetrical. The depth of the wood gives it weight and honesty. You see the layers of grain on the sides and top, and they shift slightly in tone, ranging from rich natural hues, deeper dark brown streaks to occasional warm flashes where the light catches a certain way. The legs are set at slight outward angles, which gives the stool a kind of open, grounded stance. The legs are round and taper down, so they look slender but still stable.
George Nakashima (1905-1990) was a well-known woodworker, architect and furniture designer from Japanese descendants. He was born in Spokane, Washington and enrolled in the University of Washington program in architecture. After his graduation in 1931, he decided to live his life as a bohemian in France. Afterwards, he spent some time in North Africa and eventually settled in Japan for some time. There, he started working for Antonin Raymond, who was an American architect. While working for Raymond, Nakashima extensively toured Japan while trying to understand the Japanese architecture and design. Around 1940, Nakashima decided to leave Japan and returned to the US. However, like many others with a Japanese ancestry, he was interned during World War Two and sent to Camp Minidoka in Idaho. There, Nakashima met a master woodcarver who tutored him in Japanese crafting techniques. From him, he learned to master traditional Japanese hand tools and joinery techniques. From here onwards, he began to use woodworking with discipline and patience, striving towards perfection in his designs. In 1943, he was released from the camp and invited by Antonin Raymond to live in his farm in New Hope, Pennsylvania. During this period, New Hope formed the home port for many great designers such as Phillip Lloyd Powell and Paul Evans. Nakashima was a very spiritual and philosophical designer. The basis of Nakashima's work was derived from his practice of integral yoga. Therefore, primary goal of Nakashima's work was to live in harmony with nature rather than to destroy it for their own use. Above all, Nakashima wanted to embody a message to all modern societies that we must constantly remember the eternal in all that we do. He often said of his own work that he gave trees a second life. His designs are known for their exquisite craftsmanship and are often 'signed' with dovetails and butterfly connections. With these ideas in mind, Nakashima created his own style based on Japanese designs and shop practices, combined with the American and International Modern Styles. Therefore, he became one of the best 20th century American Art furniture designers.
Known as the "Plank Stool," this design by George Nakashima works just as well as a place to sit as it does a spot to set things down. The top slab has a natural flow to it, which is typical of Nakashima’s work. He cared more about the grain and feel of the wood than about making everything perfectly symmetrical. The depth of the wood gives it weight and honesty. You see the layers of grain on the sides and top, and they shift slightly in tone, ranging from rich natural hues, deeper dark brown streaks to occasional warm flashes where the light catches a certain way. The legs are set at slight outward angles, which gives the stool a kind of open, grounded stance. The legs are round and taper down, so they look slender but still stable.
George Nakashima (1905-1990) was a well-known woodworker, architect and furniture designer from Japanese descendants. He was born in Spokane, Washington and enrolled in the University of Washington program in architecture. After his graduation in 1931, he decided to live his life as a bohemian in France. Afterwards, he spent some time in North Africa and eventually settled in Japan for some time. There, he started working for Antonin Raymond, who was an American architect. While working for Raymond, Nakashima extensively toured Japan while trying to understand the Japanese architecture and design. Around 1940, Nakashima decided to leave Japan and returned to the US. However, like many others with a Japanese ancestry, he was interned during World War Two and sent to Camp Minidoka in Idaho. There, Nakashima met a master woodcarver who tutored him in Japanese crafting techniques. From him, he learned to master traditional Japanese hand tools and joinery techniques. From here onwards, he began to use woodworking with discipline and patience, striving towards perfection in his designs. In 1943, he was released from the camp and invited by Antonin Raymond to live in his farm in New Hope, Pennsylvania. During this period, New Hope formed the home port for many great designers such as Phillip Lloyd Powell and Paul Evans. Nakashima was a very spiritual and philosophical designer. The basis of Nakashima's work was derived from his practice of integral yoga. Therefore, primary goal of Nakashima's work was to live in harmony with nature rather than to destroy it for their own use. Above all, Nakashima wanted to embody a message to all modern societies that we must constantly remember the eternal in all that we do. He often said of his own work that he gave trees a second life. His designs are known for their exquisite craftsmanship and are often 'signed' with dovetails and butterfly connections. With these ideas in mind, Nakashima created his own style based on Japanese designs and shop practices, combined with the American and International Modern Styles. Therefore, he became one of the best 20th century American Art furniture designers.
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George Nakashima 'Plank Stool' in American Black Walnut
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